Brando

I spent most of last month working on an upcoming EP for an unknown artist that goes by the name of Brando.

The songs are cemented in text and evolved out of words, stories and metaphors. Focusing on Brando’s vocal performances, which ranged from rap, poetry and spoken word, was the key to making each song and each story come alive. With music ranging from solo piano, smooth Rhodes beats and electro synth bangers, the EP showcases Brando’s range of vocal ability.

The video I have added today is a little compilation of clips done with my phone while recording a track which features a great composer and piano player. Getting the recording of the Bösendorfer grand piano at LowSwing Studio was key to bringing this track to life. Removing the lid off the piano really brought the sound to bloom and a well placed SM57 re-amped through an AC15 brought a special energy to certain octaves.

The EP should be released early next year.

http://youtu.be/cd9z-P6dB2U

Composition: Manfred Hübler

Piano: Anna von Raison

Text: Brando

Recorded by Florian von Keyserlingk

Who the hell is Finn?

A while back I was lucky to work with the talented and incredibly hard working Stefan Kraatz on his new unsigned project Finn.

The singer Marlon is an honest and soft tempered soul with a great voice and personality.

Still unsigned they are already getting a lot of attention with a couple of potential indie, major and publishing deals.

Check out the teaser video below, listen to the song Spiegelbild and check out the Fritz radio Unsigned show they played last week!

 

Enjoy!

An Album in 5 Days

When I was told that I was going to work on a five day recording with LowSwing Studios latest acquisition a, Telefunken M15 2” 16 track, I was pretty excited. Leading up to the recording though the tape machine was everything but in working condition. A cock up during calibration, which blew out a power supply 3 days before session start, shrank the possibility of the recording actually happening, drastically. Thanks to Jim, and a sacrificial offering of days worth of sleep, the M15 was good to go when the band walked through the door. Albeit, untested. Calibrated, but still untested. I felt a little safer knowing I had an Otari MX-70 1” 16 track as a back up machine just in case the M15 decided to flat line. Luckily it never came to that. And thank god, cause the first thing David, the producer for the session, said when he saw it was, “It doesn’t sound that good”. I didn’t tell him it was our backup.

Three days and three 2” reels later, all the songs were in the bag and David said, lets mix. I was a little confused, because I thought this was a Recording session. But they had other ideas. Great! I thought, Mixing, tape to tape. That’s exactly what we did. Playing back was the M15 16 track, mixed and summed on the Neve 5316 and recorded to the Telefunken M15 A ¼” master machine. A dream come true. I was as giddy as a kid in a candy shop. The band, The Mashrooms, a self-titled “Independent Rock Orchestra” were a great bunch of flamboyant and friendly Sicilians who were really happy with the results. And when it was all over and I handed over the 2” and the 1/4” tapes I couldn’t stop thinking how easy it all was. They came in, played, recorded and mixed an album in five days. And there it was, the sum of all their work in a couple cardboard boxes neatly labeled and stacked holding reels of magnetic tape, their album. Done, no going back. Beautiful.

http://youtu.be/H168JU25ZVA